H.R. Giger: Debbie Harry Metamorphosis: Creating the Visual Concept for KooKoo

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H.R. Giger: Debbie Harry Metamorphosis: Creating the Visual Concept for KooKoo

H.R. Giger: Debbie Harry Metamorphosis: Creating the Visual Concept for KooKoo

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When they decided to go on hiatus in 1981, Harry embarked on a detour into the world of acting, culminating in her finest acting performance in David Cronenberg’s 1983 film Videodrome.

Undoubtedly, the 1981 image would go on to play its hand in influencing Clive Barker’s Hellraiser, its race of antagonistic Cenobites, and particularly their leader, Pinhead. He offers a local’s view of the far-from-gentrified East Village neighborhood where he lived, and where the punk movement emerged. As Harry’s then-boyfriend, partner, and long-term collaborator, his insight is perfect for such an unusual chronicle (Harry and others provide recollections in the book, also). Renowned as the co-founder and guitarist of the iconic new wave band Blondie, Chris Stein’s photography is as poignant and powerful as the songs he wrote. Their fifth album, Autoamerican (1980), afforded Harry and the band further attention, spawning such hits as a cover of "The Tide Is High", and "Rapture", the latter of which is considered the first rap song to chart at number one in the United States.Interestingly, just as she would work with David Cronenberg in 1983, Harry would also collaborate with another artist with his own ties to the world of horror. With photographs and words by Chris Stein, Harry’s long-term collaborator, artefacts and sketches from the Giger archive, and an introduction by Debbie Harry, this is an essential behind-the-scenes insight into the processes of an incredible creative partnership.

Har­ry and boyfriend/band member/guitarist Chris Stein wrote tracks as well, and ful­ly indulged in the Black music gen­res they had already been toy­ing with on Blondie’s Autoamer­i­can, like “Rap­ture” and “The Tide Is High. It’s in that role that he has worked on this book, documenting the project to create an album cover and two videos in the studio of the famous Swiss artist.

His first book of photography and essays, 2016’s Negative: Me, Blondie, and the Advent of Punk (Rizzoli) was hailed by Good Reads as “a must-have celebration of the new-wave and punk scene, whose influence on music and fashion is just as relevant today as it was four decades ago. Blondie enjoyed tremendous success in the charts, which was unusual at the time for an outfit from a predominantly punk background.

The video for “Now I Know You Know,” also written by Rodgers and Edwards, is even eerier with Harry flexing in a Giger-designed body suit with long black hair. The artwork for Harry’s 1981 debut solo KooKoo album cover was deemed so frightening it was originally banned on the London Underground. The New York Times notes “POINT OF VIEW: Me, New York City, and the Punk Scene is a fascinating document, not only of the punk scene of the early and middle 1970s but more generally of New York City in its years of chaos, decay and creative energy. The “Backfired” clip opened with Giger, dressed in ancient Egyptian garb, piercing a sarcophagus with swords.

His photographs have been exhibited around the world, and collected in two books, "Negative: Me, Blondie", and the "Advent of Punk" and "Point of View: Me, New York City, and the Punk Scene.

  • Fruugo ID: 258392218-563234582
  • EAN: 764486781913
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